LOCATION OF THE HOTEL - ILE DE LA JATTEAn island of
legend, from art to the air industry.
The legend of Ile de la Jatte has been nourished by history, art
and industry.
Its first suitors had royal origins. After the fall of the
Empire, Louis XVIII ceded to Louis-Philippe, the future King of
France, his castle in Neuilly, as well as its park which stretched
as far as the Island. The new king discovered the island during his
many walks and decided to connect it to his park by means of a
footbridge. There, he built the Temple of Love, which shelters
Venus, and it became the venue for sumptuous Venetian parties and
fireworks displays.
The Island had entered the history books and its golden age was on
the horizon.
Napoleon III and Haussmann started to build on the site. At the
time, there were only a few hundred inhabitants, but, above all,
there were many workshops which were open only at night time. It was
a popular and rustic time. City dwellers used to come here to relax.
Games, snack bars and dances at the Château du Diable, the Petit
Bonheur or the Moulin-Rouge used to mark the end of the working
week. This was the site of the story of Amélie Hélie, played by
Simone Signoret in the film "Casque d'Or". It was inevitable that
there would be some trouble and the "apaches" - the name given to
the gangsters of the time - and women of little virtue, used to rub
shoulders with the crowds here.
The ease of access also attracted many Impressionists, who painted
some of the island's enchanting features in works such as "L'Ile de
la Grande-Jatte" (1874) and "Les Rives de la Seine" (1878) by Claude
Monet,
Claude Monet: http://www.lagalerie.fr/PagesArtistes/MONE_P0003.htm
"La Seine avec le pont de la Grande-Jatte" (1887) by Vincent Van
Gogh,
Van Gogh: http://www.insecula.com/oeuvre/O0021432.html
And "L'Ile de la Grande-Jatte" (1873) by Alfred Sisley.
Alfred Sisley: http://www.insecula.com/oeuvre/O0013671.html
It became the centre of neo-Impressionism (or pointillism) much
criticised by Georges Seurat.
Georges Seurat, Un dimanche après-midi à l'Île de la Grande Jatte,
exhibited for the first time in May 1886 (painting acquired by the
Art Insitute of Chicago in 1924).
http://wahooart.com/A55A04/w.nsf/Opra/BRUE-6E3T9M?OpenDocument&ChangeLangue=FR
Thanks to this artist, Ile de la Grande Jatte became known
outside of France with "Un dimanche après midi d'été à la Grande
Jatte" exhibited in the Art Institute of Chicago.
La Grande-Jatte was also the centre of an unexpected industrial
boom. Here, some of the major creations of modern industry saw the
light of day.
René Couzinet's plane (L'Arc-en-Ciel) allowed Jean Mermoz to make
the first crossing of the south Atlantic. The factories here were
requisitioned during the World Wars and the Allies made full benefit
of the decisive technological developments which had been made here,
in particular, in the field of aviation.
With four thousand inhabitants, today, La Jatte is a residential
district. A new way of life has become cultivated and is favoured by
well thought out town planning, based on harmonious construction.
The Island is the site for many company head offices (Paco Rabanne,
Yves Saint-Laurent Parfum, Saatchi-Saatchi…) and restaurants (Le
Petit Poucet, Les Pieds dans l'eau, La Guinguette, Le Café de la
Jatte…). The Levallois House of Fishing and Nature can also be found
there. La Jatte is also a promised land from which flows the
particularly delicious honey from the hives of Levallois.
The Island has continued to be a centre of artistic and musical
inspiration.
On Sundays, as in Seurat's time, people come here to walk their
babies, children play, walkers abound, dogs chase each other and
sportsmen practise running or rowing…
La Grande Jatte has conserved an indisputable charm for all those
who are lucky enough to have the opportunity to come here to relax.